ArchivesSpace at the University of Iowa

The letterhead is Abbey of Gethsemani. The card reads, "Dear Emmett: Here are a few loose sheets from MPond (Monks Pond) which will show which concretes I took from author - & 'embellished.' Hope the magazine will be on its way soon." -- Source of annotation: Marvin or Ruth Sackner.

This card of December 10, 1968, eight days before Merton's death, was typed by Patrick Hart, secretary to Thomas Merton. He gives permission to Williams to use poems in a forthcoming anthology that was never published. -- Source of annotation: Marvin or Ruth Sackner.

The letterhead is Monks Pond. Merton writes Emmett Williams that "All the things you are making happen sound good. Or helping make happen. Yes, visual poetry. I'd like to see that exhibit in Minneapolis. When will it be?" He continues, "I'm starting on some visual stuff. Hasn't loosened up yet but I think it will start to break soon. If only we had some more type here and the monastery printer had more time we could really do something about it." In a postscript, Merton adds a handwritten request, "Could I see a copy of the Bense reader? Looks interesting. Also the MacLow stanzas, as I am doing some, that - & Dieter Rot. Your catalog is very good. Only interesting one I've seen in a long time. -- Source of annotation: Marvin or Ruth Sackner.

Merton requests contributions for his periodical, Monks Pond. Jonathan Williams passes the letter onto Emmett Williams with the notation that the above letter from Thomas Merton explains itself. -- Source of annotation: Marvin or Ruth Sackner.

Includes four photographs by Ralph Eugene Meatyard. -- Source of annotation: Marvin or Ruth Sackner.